Mike Oakley
CG Supervisor & Generalist
My experience spans look development, lighting, FX, rendering, and CG supervision across film, television, and commercial work. I work across Houdini, Maya, Nuke, and modern production pipelines.
I’ve moved between hands-on artist work, technical problem-solving, and leading teams. Along the way, I’ve learned that great CG is as much about communication and collaboration as it is about technology.
I’m focused on CG Supervision and Senior CG work, helping teams solve complex creative and technical challenges while maintaining a strong visual direction.
Maya • 3dsmax • Houdini • Blender • Nuke • Unreal • Arnold • V-Ray • Karma
Creatures • Cars • Explosions • Destruction • Smoke • Environments • Crowds • Aircraft • Architecture
Feature Films
Television Series
Ads & Brands
I enjoy tackling the most challenging visual effects work, whether it involves environments, FX simulations, characters, or vehicles. From major feature films to independent productions, I focus on delivering high-quality results with speed, reliability, and close collaboration.
If you need standout visuals for your film, commercial, or brand, or lifelike product recreations that make your work shine, let’s connect and bring your vision to life.
Services
VFX / CG Supervision
CG Generalist
Production Support
Digital Environments
CG Animals
Real-Time Support
Frequently Asked Questions
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There is a range of solutions designed to meet your needs. Everything is tailored to help you move forward with clarity and confidence.
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Reach out through the contact form. We can walk you through the next steps and answer any questions along the way.
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Absolutely. Many of the most effective visual effects are invisible to the audience. VFX can remove unwanted objects, replace skies, extend locations, create crowds, clean up production mistakes, enhance practical effects, and improve production value without requiring a Hollywood-sized budget. Careful planning allows independent filmmakers to achieve cinematic results while staying within budget.
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Often, yes. Depending on the situation, visual effects can remove equipment, fix continuity issues, replace backgrounds, eliminate unwanted objects, stabilize footage, or repair production mistakes that might otherwise require a reshoot. Every project is different, but VFX can frequently provide a more affordable solution.
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I specialize in visual effects for feature films, television, commercials, and independent productions. Services include invisible VFX, compositing, digital cleanup, set extensions, CG environments, matte painting integration, fire and smoke simulations, water effects, explosions, screen replacements, beauty cleanup, and look development. Every project is tailored to the creative and technical needs of the production.
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The earlier, the better. Involving a VFX artist during pre-production can save significant time and money by identifying shots that require tracking markers, clean plates, HDRI photography, or specific camera data. Early collaboration also helps avoid expensive reshoots and ensures visual effects integrate seamlessly into the final film.
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Common requests include digital cleanup, wire removal, screen replacements, sky replacements, muzzle flashes, environmental effects, fire and smoke simulations, set extensions, crowd duplication, beauty work, object removal, and invisible compositing that supports the story without drawing attention to itself.
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Simply get in touch through the contact form with a brief description of your project, estimated number of shots, schedule, and any available reference material. If you're still in pre-production, I can also review scripts, storyboards, or previz and help identify potential visual effects work before filming begins. Early conversations often lead to more efficient workflows and lower overall production costs.